Guys, back at the blog again and I have little to say here for the time being. I wanted to do a longer piece today, but I’m just not feeling it. So instead of forcing the issue, here’s a little update on my writing.
I wrote a blown-out outline of a novella last weekend. It was part of my attempt to write more detailed outlines before I dive into a piece. I was happy with some of the scenes and the emotions they conjured…but…I feel that there is a significant logic problem with the plot, one I knew about all along. That logic problem is stopping me from moving forward with it until I figure out the problem. So…Bottom line: I’m going to put this one on the backburner for now. Going to let the subconscious work on that logic problem and see if it can figure it out. It’s usually pretty good at that.
That means that now I have to move onto a new work’s first draft. I’ll be selecting one soon and starting work on it. More on that below…
Got to keep submitting. I’m still sending in my latest stories. I think they’re tight and well written. And I’ve noticed that the time to review them is taking longer. I think of this as a good sign: it usually (but not always) means that your piece is going through more gatekeepers before it gets rejected. Of course, a rejection is a still a rejection—whether it takes one day or 120 days. Your piece still doesn’t get published. But in the past I’ve noticed that the best pieces always take longer to get rejected from the get go than the merely “OK” pieces. They’re probably getting through the initial slush readers and moved up to editors before they are turned aside. So, if that’s any indication, these stories just haven’t found the right editors yet.
I’m hoping in time they will and I’ll be able to share them with you.
As always, I’m thinking, thinking, thinking. Thinking up new ideas and writing them down. Fleshing out older ideas and writing up their plot points. I’ve even created a new “Story Ideas-Ranking” to help me rank my story ideas according to their ripeness. It’s a short list with two categories: Stories that are pretty much ready for a first draft and those that need more work. I don’t rank those in the second part, but I do rank the ones in the first. What makes a story ripe is the passion I have for the story idea, how well-defined the story is, and whether I’ve done a full formal prewrite (describing the plot, setting, characters and research needed). I take all those factors, push around the ideas on the page and one emerges on top. That’s the theory anyway.
So, this weekend, I’ll take a look at the ranking, think about which one deserves to be done next. And dive in.
Hey, “Get Black on White,” right? That’s the only way to get it done. Always has been, always will be.
Alright. See you next time,