[This is part of a continuing series on the art of writing fiction...]
[Spoiler alert: This post contains plots details from Hamlet and Moby Dick.]
I hope you forgive this very extended metaphor…
I wonder if my fellow writers out there have ever considered how their characters are (or ought to be) like metamorphic rock? Hmmm…I don’t see many hands going up or nods of agreement out there, so let me explain.
It turns out that there are not three forms of rock like we learned in school: the igneous, sedimentary and metamorphic. We were lied to…sort of. In reality, there are just two types: rocks made from magma (igneous) and rocks made from falling sediment (sedimentary). Now, both of these can be turned into metamorphic rock, but they both start as igneous or sedimentary and become metamorphic rock.
But how do these metamorphic rock come about? By the application of heat and PRESSURE.
Metamorphic rocks arise from the transformation of existing rock types, in a process called metamorphism, which means “change in form”. The original rock (protolith) is subjected to heat (temperatures greater than 150 to 200 °C) and pressure, causing profound physical and/or chemical change.
Ok…So what the heck does ANY OF THIS have to do with characters in fiction??? Well, here it is: compelling characters always change (almost always). And they change because they are brought under PRESSURE. So, if you have a great character don’t just put them up on the shelf or in a monastery free from temptation and trial. Bring them down from the shelf, thrust them out into the world, into the marketplace, onto the field of battle. And THEN see how they do. Do they remain the same? Or do they evolve, change, metamorphosize (spell checker says this is not a verb in English???? Is that right?) because of the pressure? And if they do…Voila! You have two of the three elements of your story: character and plot. You just need to add a setting.
So remember: take that beloved character, that untested protolith, apply pressure/heat and see what they change into. These days, I don’t pre-write a main character for a story (protagonist) without wondering how he/she will change. How he/she will be different at the END of a story than they were at the START.
PS…What about those great characters who DON’T change? Those Hamlets and Ahabs of yore? It’s interesting that both are transformed ultimately by death. That being said, they come under extreme pressure and don’t change, but become hardened in their ways, more what they are. Even they come under pressure and change—to a degree. At least the pressure is applied, even if it comes to naught. It’s there standing in the way of this pressure which makes them great, albeit tragic, characters.
Alright, see you next time. in the meantime, don’t forget to apply to some pressure to your most beloved characters.