Where My Writing Is Going in 2017

It’s a little late for resolutions, but I wanted to post this before 2017 gets too far away from us. writing headphones

First, let me say I’m pretty pleased with where my writing is at. So, these are more like adjustments than “resolutions.” Overall, I’m keeping disciplined and writing “what I know and love.” So, all’s pretty good. But I was noodling on what to change and these three things came up. So, here are my writing resolutions for 2017.

1. No More Novellas
Well, well, well. Here’s the deal: I love writing novellas. I’ve never been comfortable writing short stories: I always feel things are just starting to get good when I get to about 5,000-7,500 words—the upper limit for a short piece. So, I always feel like I have to stop just when things are getting going. It’s very, very frustrating.

On the other hand, novellas are fine, but they have one big problem. BIG  PROBLEM. No one wants to publish them. Well, I can’t say no one. But I can say there are far, far fewer markets for novellas than short stories or novels. And it’s really tough finding just the right market for just the right stories. (If you think I’m wrong about this, please reply in the comment section, I’d love to learn about more novella markets).

So, this year I’m going to concentrate on NOT writing novellas. I’m going to go short/long this year. NO MORE NOVELLAS.

2. Listen to My Music While I Write
Back in the day, I used to write with music on. I mean I would ALWAYS write with my music playing in my apartment. Nowadays, I write at a café and  listen to whatever they’re playing. And this can be distracting or annoying, especially when the music doesn’t fit the  mood of the scene you’re writing. I think it can also overpower your brain if it’s too loud or too complex. For some reason free-form jazz seems to be quite distracting for me—and  that’s a fairly common genre for cafes to play.

So, I’m going to try something different this year. I’m going to buy some headphones and plug those in. Then, I can select the music I need to write by. This usually means instrumental music or something sung in a language I don’t know. I’m interested to see if this will help or hurt productivity. But hey, this  is part of the experimentation I talked about, the tweaks you need to make to see if they help or hurt your writing.

I’ll let you know how it goes.

3. Go to One Con
I have messed up this one  again and  again. It feels  I haven’t gone to a Con in ages. I need to change that now. So, here’s my commitment to go to ONE Con this year. I think I should be able to do one.

I’m looking for a mid-size Con with a good writing track. You know, one with lots of workshops and seminars on writing. Maybe with some filking on the side. I’m thinking about going to BaltiCon in May, but haven’t decided yet. I’ll keep you posted.


So, that’s it. Three easy pieces. Going to start making this happen right now. See you out there, fellow writers. And best luck to all of you in 2017!!!! Let’s do this!

,DJ

New Flash Fiction Story Published

Hey, everybody and Happy New Year! We’re starting 2017 off right: a new short-short So-You-Found-Mestory of mine has just been published. It’s about a self-conscious story. This is how it starts:

So you found me. Well done.

Don’t think for a moment that I’m merely a story. Oh no, not even close. I have thoughts, feelings, ideas, just like you. Just like any other sentient being…

If you want to read the rest head over to Between Worlds magazine and read the story, it’s called “So You Found Me.” You can also read the full new edition of BW magazine which has new stories from a bunch of up-and-coming writers. And, as always, I encourage you to contribute to the magazine which you can at the bottom of this page. Between Worlds is a paying market (for short stories, not flash) and we need to preserve and nurture these markets. Thanks!…Enough promo!

Hope you enjoy the piece and please leave a comment there or here on my blog. Would love some feedback on it. And thanks to Between Worlds for considering and publishing the piece!

See you again soon.

,DJ

Ending (the Year) Where I Began

Just a short post today. Feeling good. Not about the world so much, as my place in it. For what that’s worth…I was going to post about my resolutions for next year, but that’s going to have to wait. Here’s what I’m doing today, not tomorrow.

Prepping a story for publishingOcean Dawn
Good news: my flash fiction (less than 1,000 words) story “So You Found Me” will be published over at Between Worlds magazine. I loved this little piece from when I first sat down and wrote it, so it’s nice having it see the light of day. I will post when the story goes live.

This morning I sent my Bio and some other stuff along to the editor, so we should be all good to go. Nothing like starting the day off with a positive bit of literary business.

Wrapping another story
Right now, I’m in the café, hooked in and ready to start editing (as soon as I finish this post). With that, I should be done with “The Number Thief” a short story/novelette that I started working on this fall. It’s taken awhile, but I feel it’s a strong piece. I can’t wait to get this finished, proofed and off to editors.

Submitting finished stories
Well, this one might have to wait a day or two. I have a couple of other stories I need to send back into the arena. “Pacha-mama,” a play and a couple of other pieces will have get back in the fight and see how they do. I’ve been so slammed lately I haven’t had a chance to get them out there. Hope to submit them tomorrow.


So…I’m exactly where I started the year, in a sense. I’m living and writing fiction when I can. It’s a great experience and one that helps keep me balanced.

I know this year hasn’t been the easiest for everybody, but I want you to remember this quote from Heraclitus.

“The Sun is new each day.”

Remember, the sun will be back tomorrow and with it, a new day. The question is…What will you do with it?

Until next time…

Keep reading, keep writing,

Darius

A Look Back at My Year in Writing—2016

2016 was a pretty good year for my fiction writing. It wasn’t great, but it wasn’t bad. This post follows an annual tradition: it’s the one time in the year where I look back at what I said I wanted to do way back at the start of the year and see how I did. It will also look at other things I accomplished. So, here we go.


1. I Didn’t Go to Any Cons.Pushkin Writing
This was bit of a fumble. I wanted  to go to two Cons (you know, those assemblages where fans and creatives get together and talk), but I didn’t even make it to one! Well, it was a crazy year. I moved to a new place, work was hectic—and oh yeah!—there was  all that fiction writing to do. So, this didn’t happen. I will definitely try to make up for it—penance, penance—in 2017.

2. Blog Changes
I did get the blog headed where I wanted it to go. The posts are regular, but short and telegraphic when they need to be. I’ve also blogged a little bit about subjects that aren’t writing- or art-related. So, little steps. Little, good steps.

3. I Wrote What I Wanted
Hell yeah. This was probably my biggest breakthrough this year. Early last year, I just thought, “To hell with it, I’m going to write what I want to write.” And I’m glad to report I have. Regardless of marketability or clear genres or even common sense—I just dove in. I wrote those stories which were “burning in my belly” like Halberstam said. I finished a South American gothic horror fantasy, wrote a comedic play with a medieval setting and started a piece of flash fiction for crying out loud. Me! Flash fiction! A style which I swore I would never write in. But an idea came to me in the airport, I fired up my laptop and in 30 minutes later it was done.

And I brought it all back home with a story featuring the protagonist of The Ghul of Yazd—Yusuf ibn-Yaqzan. They’re all very different pieces, but they have a common thread. They’re EXACTLY the pieces I wanted to be writing when I took them up. And that has made all the difference.

4. I Saw my First “Literary” Fiction Piece Get Published
This year was the third time I had a piece of mine get published traditionally (i.e. by a third party publisher/magazine). Well, that felt good. And any year when you get something (anything) published is a good year. It also marks the first time I had a work published anywhere which had NO supernatural  elements. It was “literary fiction,” you could say. Anyway, it was exciting to see it in print.

5. I Wrote my First Play
This was also the first year in which I dipped my toe in a very, very difficult new style: I wrote a play. I still think it has flaws, but I was  able to keep it together, write five acts and have some consistency in plot, character, setting, etc. I’ve been shopping it around, but must admit I’m finding it rough going since I have to learn a whole new way of putting forward the piece. No emails sent to distant lands without a second thought. (And I get a lingering sense that I may not be enough of an extrovert to be a good playwright. All that dealing with playhouses and working through the script with total strangers—ugh!). But I wrote what I wanted and—damn it!—It was fun!

6. I Felt My Writing Improve
Now, it can be hard to judge your own stuff. I realize that. We always think our own works are the best. It’s a human weakness. But I do feel that the preparation, the thinking behind them and the outcome of my works improved this year. I would definitely say—to get a bit down in the weeds—that my plotting improved. I have struggled with that aspect MIGHTILY in the past. It’s very difficult to do the right amount of planning. Plan too little and the story fly off the rails. Plan too much and you risk not allowing your characters to breath and  live—and the whole project comes off as flat and sterile. I’m finally starting to zero in on a happy medium where I plan just enough to keep the whole thing moving and alive, but within the proper constraints. It was gratifying to see that change in my pieces this year.


So, all in all, it was a pretty good year in fiction writing. I will see you guys in a couple of weeks, where I’ll post a bit about my plans for 2017. I’m looking forward to another year of writing fiction.

Back to the Writing

…And I’m back. Just wanted to do a little something before the old blog gets too rickety. Well, I’ve had some good cider, completed a massive road trip from the East coast out to New Mexico (with a pit stop in Memphis!) and now I’m back. barton-fink-6

….And I’m feeling a bit like Barton Fink  in this scene. A bit worn and stretched thin. After all, we’re entering one of the busiest times of the year.

But here’s the good thing: I’m off this weekend to write. I’ll be working on the 3rd draft of my new story, “The Number Thief.” I’ve been reading through the printouts of the manuscript and the story looks solid: tight plotting, compelling characters (in the two leads, at least) and some great moments along the way. So, it looks like I should have a third draft done in no time…Then it’s onto finalizing it and starting to submit the piece.

Other than that, I have a few other works done and I’m submitting those. No word yet on whether the editors like them, but I’m out there playing the game of submission and rejection.

Alright, that’s all for now. Life—and writing—call. See you next time.

,Darius

The Craft: How to Find Your Writing Routine

[This is part of a continuing series on the art of writing fiction.]

You’ve got to do what works for you. No less true in writing, than in life. And to do something well, you must do it consistently. And that’s where routine cHaruki-Murakami-007omes in.

I’m a big believer in routine, especially when it comes to writing fiction. For me, each writing day is the same: I get up,  hit the gym, grab lunch. Then, it’s time for a late coffee and some light reading. Right about then, I’m ready to dive into the writing. I write until about 5-6 p.m. and I’m done. It’s not a long day, but it’s a tiring one and lot of energy is spent in that one afternoon.

Now, that routine wouldn’t work for everyone. And my routine has changed over the years. I used to write in the morning, at home, but now I write in the afternoon at a café. Even my routine has evolved over time. So, what will work for you, if you’re trying to write fiction? It’s hard to say. But I do know you’ll have to experiment and find what works for you. And once you find it, you’ll probably be best sticking to it.

Let’s take two successful fiction writers as examples of how different writing routines can be. First, there’s Haruki Murakami. A pretty famous guy. What does he do? Here it is:

Murakami rises at 4am on most mornings, writes until noon, spends the afternoon training for marathons and browsing through old record stores and turns in, with his wife, at 9pm.

Pretty boring, right? But as he says, it’s a routine that works for him.

“It’s just routine,” he says and laughs loudly. “It’s kind of boring. It’s a routine. But the routine is so important.”

Well, that routine has gotten him through several long novels, including the 1,000-page plus 1Q84. So, will what he does work for everyone? No.

Let’s take another successful writer: Kei Miller. Miller’s routine is almost the opposite of Murakami’s. In fact, it’s not really a routine at all.

There are too many distractions. I succumb to them all. And I would like to tell you that my distractions are noble–rereading the classics, diligent research. But they are not. I am distracted by bad TV shows from the US, by the top stories in the Jamaican newspapers, by Candy Crush (God did I just admit that?), by the entirety of the internet…

Sound familiar? Despite all that, somehow, a pattern does emerge.

Writing periods, when they come to me, do not come neatly. They stretch across days, from 10 at night to five in the morning, me going to sleep only when I see the sky brightening and suddenly in my head is the warning voice of an old Caribbean woman: “Don’t make tomorrow catch you looking into yesterday!” I go to sleep then, but it is a restless sleep, and I wake up just a few hours later to write again…

And what does he produce as a result? Nine books in 10 years, as well as articles and essays and reviews and blogs and lectures. An output perhaps more staggering than Murakami’s.

So, what’s the point of all this? You have to find your own routine or pattern. And then stick to it. Don’t be afraid to experiment. Sometimes, I add or subtract little things from my writing routine: will things change if I don’t workout? If I listen to music instead? You must try earnestly and forthrightly to find what works for you. Write down how many words you wrote on a certain day and see if it was more than yesterday and analyze what you did differently. Did you produce more? Maybe there was a change in your routine that contributed to that higher word count…

There’s lots of ways to become more productive, but routine is probably the best. And nobody can give that routine to you. Not me, not your significant other, not your writing sensei. You just have to go out there and start doing it. That’s the only way there’s ever been.

Good Luck,

Darius

Forging Ahead with New Fiction

Well another writing week, and more fiction got done. Cider Flight

As I write this, I’m about to take off in the truck   for a long weekend of cidering around rural Virginia. We’re going to take part in that old   (and new again) American tradition of sampling hard cider. It’s good, because I’ve been busy and I need a little reward. Fermented apple juice is a great way to do that.

In fact, I’m just wrapped up the dreaded second draft of a new novelette (it’s about 14,000 words). The story is called The Number Thief and the protagonist is Yusuf ibn Yaqzan, the here of my earlier story, The Ghul of Yazd. This time, we get a bit more of the personal side and back story of Yusuf. He’s one of those kind of characters that, as a writer, you really just watch. That kind of character you can throw into a situation or a place and just watch what he does next and transcribe it, get it down fast. It’s really a joy to work with him, you might say. And it’s fun to see how a piece of fiction gets better defined and just plain better as you work through a second and third draft. The action becomes sharper, the dialog crisper and the flow more fluid with each little change. Put all those little changes together and you start finding you have a really fun, tight narrative.

So, other than that, there’s not much to relate. I’m submitting a flash piece and slowly but surely looking for markets for another story and a play. Oh, and trying to keep down my day job. So, not much time left to blog.

In fact, I think I’ll just move on, but not without leaving you with a little something. Here’s a link to the Virginia Cider Week festivities. I’ll be partaking this weekend, but if you’re in the area later this month, I highly recommend checking the festival out. Just bring a smart phone, an analog map and list of local cideries. And then head out. Next to writing fiction, there’s not many better ways to spend your time during the fall.

See you next time,

Darius

Rare B Sides: “The Search for Henri Le Fevre”

[This post is part of a series on literary works deserving of a wider audienOrson-Welles-Show-1941ce.]

What is writing? What is literature? There’s a lot of people asking that question lately, especially after that little prize for Bob Dylan last week. I won’t delve into whether Dylan’s songs are great literature (I’ll save that for another time.) But one thing’s for sure: good writing has never been just about words on a page. It comes in many forms. Great writing can be found in a song or a movie script or a video game. So far, in this blog, I’ve talked about obscure pieces of literature, Rare B Sides, that have moved me. They’ve all had one thing in common: they were pieces meant to be written down on a page. Now, it’s time to take the lens out a bit more. To start throwing in some great writing that wasn’t printed in a book. Today, we start with a radio play.

Now, the radio play—like silent movies—is a literary form whose glory days have (likely) come and gone. And like old films, they need a bit of patience and understanding to go through because the pacing of storytelling is different from what it was in the past. But as they say “time is the best editor” so many of the radio plays that are still listened to and shared are pretty decent. And just like it’s important to preserve and celebrate old books, it’s important to preserve and celebrate old films, music and radio. 

I’ve have had no interest in radio plays up to this point. But I was caught in a big traffic jam back into the DMV on a Sunday night, when I flipped the radio dial to WAMU. Airing that evening was a classic: “The Search for Henri Le Fevre.”

Just like a movie, a radio play requires a small army to work well. But it all begins with a script. And the writer of this script was Lucille Fletcher, who wrote several radio plays including a script that eventually became a Twilight Zone episode. Then, there was the music, written by Bernard Herrmann. Herrmann wrote the scores for several Hitchcock movies. And then there’s the acting talent: starting with Orson Welles and his cognac- and cigar-lacquered voice. It’s hard to think of a richer, more ambient voice than that. It’s as if he was born to do radio. So there you go: a little Twilight Zone, a little Hitchcock and a little Welles all wrapped together. Bring those three talents together (writing, music, acting) and you’ve got an entertaining 30 minutes of radio. 

But what is it about? We’ll here’s the short setup:

A man [Henri Le Fevre as voiced by Welles] who has just finished writing a symphony hears the exact same symphony on the radio…He had just set down the last note on paper, he was happy and weary and full of peace. There was a radio near the couch, he sat down and turned it on and felt great horror as he heard the music playing on the radio, the music that he had just set down on paper.

That sets up the story: we’ve got a plot, character and setting. And something that will keep it all going: How is it that this piece of music which he just wrote down is already being broadcast? Well, Henri has to begin a long, painful journey to try to find out. And when he does it’s not clear if the revelation will bring him peace or destroy him. You’ll have to listen in to find out.

Now, the specific version I heard was the Orson Welles 1946 broadcast for the legendary Mercury Summer Theatre. (There’s an earlier version from 1944). You should be able to access it at the link above. If not, Amazon seems to offer it for sale, if you can’t find it anywhere else. But in my experience you should be able to track it down on YouTube or via Google pretty easily. You’ll be glad you tracked it down, it’s a fun little piece of  literature to listen to.

See you next time,

Darius


If you like radio plays and want to dive deeper, check out WAMU’s Big Broadcast. They play old-time radio plays starting at Sunday at 7:00 p.m. Eastern. They even archive the broadcast for a whole week so you can come back to it later. It’s a great way to unwind on a Sunday evening.  As the website says:

Host Murray Horwitz brings listeners shows like Gunsmoke, The Jack Benny Show, The Lone Ranger, Suspense, Fibber McGee and Molly, and Dragnet, placing them in the context of the time and linking the shows to current entertainment and events.

It’s well worth a listen.


Wouldn’t be a Rare B Side post without a Rare B Side: Here’s Jack White running through the old blues classic by Son House, Death Letter Blues. Dig this version.

That Death Letter—Man!

Yusuf Is Back

Yusuf ibn Yaqzan is back. hayy-ibn-yaqzan

I have just completed a long story/short novella I’m calling “The Number Thief.” It features the protagonist of my earlier story “The Ghul of Yazd.” But this time, I’ve placed him further west, in what would become present-day Algeria. The story is over 14,000 words,   so we’re talking about double the length of a long short story. I felt Yusuf was a strong, compelling character when he first showed up in the Ghul story and I think he had another great outing this time. I’m about 14% done with draft 2 and I’ll let you all know when I finish the final draft. As for what it’s about…Let’s just say numbers and thieves for now.

Bad Author—No Submissions
I haven’t been submitting stories lately like I’ve wanted to. In fact, for the first time in a long while I have no stories out to magazines. I’ve got to change that ASAP and hope to do so this weekend. Like Heinlein said, “You Must Submit.”

That’s all. Short and sweet. Just wanted you all to know I’m still alive, kicking and writing stories.

See you next time,

Darius

Today, I Write

Well today I was going to write a nice, fat blog post. It ain’t gonna happen. X

I have a story burning a hole through me. And I have one chapter left. So, with only x hours to write today, I’m gonna spend that x the best way I know how: by writing fiction. So today, I write.

I will see you guys in a couple of weeks with a bigger post.

And if you’re a writer, I hope you’ll join me in writing today. Always remember: what separates writers from the rest is that writers write. 

Until Next Time,

Darius